Sunday, January 28, 2018

MY NAME IS VENUS BLACK by Heather Lloyd
















The Dial Press ( Random House )
Pub Date February 27, 2018
US

Synopsis
Venus Black is a straitlaced A student fascinated by the study of astronomy—until the night she commits a shocking crime that tears her family apart and ignites a media firestorm. Venus refuses to talk about what happened or why, except to blame her mother. Adding to the mystery, Venus’s developmentally challenged younger brother, Leo, goes missing.
More than five years later, Venus is released from prison with a suitcase of used clothes, a fake identity, and a determination to escape her painful past. Estranged from her mother, and with her beloved brother still missing, she sets out to make a fresh start in Seattle, skittish and alone. But as new people enter her orbit—including a romantic interest and a young girl who seems like a mirror image of her former lost self—old wounds resurface, and Venus realizes that she can’t find a future while she’s running from her past.
 
In this gripping story, debut novelist Heather Lloyd brilliantly captures ordinary lives thrust into extraordinary circumstances. Told through a constellation of captivating voices, My Name Is Venus Black explores the fluidity of right and wrong, the pain of betrayal, and the meaning of love and family.


Review coming

Saturday, January 27, 2018

IMPROVEMENT by Joan Silber
















4.75
Counterpoint
Pages 256
US

Synopsys
One of our most gifted writers of fiction returns with a bold and piercing novel about a young single mother living in New York, her eccentric aunt, and the decisions they make that have unexpected implications for the world around them. 

Reyna knows her relationship with Boyd isn’t perfect, yet as she visits him throughout his three-month stint at Rikers Island, their bond grows tighter. Kiki, now settled in the East Village after a journey that took her to Turkey and around the world, admires her niece’s spirit but worries that she always picks the wrong man. Little does she know that the otherwise honorable Boyd is pulling Reyna into a cigarette smuggling scheme, across state lines, where he could risk violating probation. When Reyna ultimately decides to remove herself for the sake of her four-year-old child, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them. 

A novel that examines conviction, connection, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki’s beloved Turkish rugs, as colorful as the tattoos decorating Reyna’s body, with narrative twists and turns as surprising and unexpected as the lives all around us. The Boston Globe says of Joan Silber: "No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power." Improvement is Silber’s most shining achievement yet. 

Wednesday, January 24, 2018

NATIONAL BOOK CRITICS CIRCLE 2017










NONFICTION:
Jack E. Davis, The Gulf: The Making of An American Sea (Liveright)
Frances FitzGerald, The Evangelicals: The Struggle to Shape America (Sion & Schuster)
Masha Gessen, The Future is History: How Totalitarianism Reclaimed Russia (Riverhead)
Kapka Kassabova, Border: A Journey to the Edge of Europe (Graywolf)
Adam Rutherford, A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes (The Experiment)

BIOGRAPHY:
Caroline Fraser, Prairie Fires: The American Dreams of Laura Ingalls Wilder (Metropolitan Books)
Edmund Gordon, The Invention of Angela Carter: A Biography (Oxford University Press)
Howard Markel, The Kelloggs: The Battling Brothers of Battle Creek (Pantheon)
William Taubman, Gorbachev: His Life and Times (W.W. Norton)
Kenneth Whyte, Hoover: An Extraordinary Life in Extraordinary Times (Knopf)

AUTOBIOGRAPHY:
Thi Bui, The Best We Could Do: An Illustrated Memoir (Abrams)   
Roxane Gay, Hunger: A Memoir of (My) Body (Harper)
Henry Marsh, Admissions: Life as a Brain Surgeon (Thomas Dunne Books/St. Martins)
Ludmilla Petrushevskaya, The Girl From the Metropol Hotel: Growing Up in Communist Russia, translated by Anna Summers (Penguin)   
Xiaolu Guo, Nine Continents: A Memoir In and Out of China (Grove)   

POETRY:
Nuar Alsadir, Fourth Person Singular (Oxford University Press)  
James Longenbach, Earthling (W.W. Norton)
Layli Long Soldier, Whereas (Graywolf)
Frank Ormsby, The Darkness of Snow (Wake Forest University Press)
Ana Ristović, Directions for Use, translated by Steven Teref and Maja Teref (Zephyr Press)

CRITICISM:
Carina Chocano, You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages (Mariner)
Edwidge Danticat, The Art of Death: Writing the Final Story (Graywolf)
Camille T. Dungy, Guidebook to Relative Strangers: Journeys into Race, Motherhood and History  (W.W. Norton)   
Valeria Luiselli, Tell Me How It Ends: An Essay in Forty Questions (Coffee House)                  
Kevin Young, Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts and Fake News (Graywolf)   

FICTION:
Mohsin Hamid, Exit West (Riverhead)
Alice McDermott, The Ninth Hour (Farrar, Straus and Giroux)
Arundhati Roy, The Ministry of Utmost Happiness (Knopf)
Joan Silber, Improvement (Counterpoint)
Jesmyn Ward, Sing, Unburied, Sing (Scribner)

NONA BALAKIAN CITATION FOR EXCELLENCE IN REVIEWING
Charles Finch
Balakian Finalists
David Biespiel
Maureen Corrigan
Ruth Franklin
James Marcus

JOHN LEONARD PRIZE
Carmen Maria Machado, Her Body and Other Parties (Graywolf)

IVAN SANDROF LIFETIME ACHIEVEMENT AWARD
John McPhee

Tuesday, January 23, 2018

MY ABSOLUTE DARLING BY Gabriel Tallent
















5.5

Riverhead
Pages 432
Available now
US


Kirkus review ( starred )


A 14-year-old girl struggles to escape her father’s emotional and physical abuse in this harrowing debut.
Turtle (born Julia) lives with her father, Martin, in the woods near the Mendocino coast. Their home is equipped like a separatist camp, and Martin opines officiously about climate change when he isn’t training Turtle in gun skills or, at night, raping her. Unsurprisingly, Turtle is isolated, self-hating, and cruel to her classmates. She also possesses the kind of strength that suggests she could leave Martin if she had help, but her concerned teacher and grandfather are unsure what to do, and once Martin pulls her out of school and her grandfather dies, the point is moot. Can she get out? Tallent delays the answer to that question, of course, but before the climax he’s written a fearless adventure tale that’s as savvy about internal emotional storms as it is about wrangling with family and nature. Turtle gets a glimpse of a better life through Jacob, a classmate from a well-off family (“she feels brilliantly included within that province of things she wants”), and her efforts to save him in the woods earn his admiration. But when Martin brings another young girl home, Turtle can’t leave for fear of history repeating. Tallent often stretches out visceral, violent scenes—Turtle forced to sustain a pull-up as Martin holds a knife beneath her, homebrew surgery, eating scorpions—to a point that is nearly sadistic. But he plainly means to explore how such moments seem to slow time, imprinting his young characters deeply. And he also takes care with Martin’s character, showing how the autodidact, hard-edged attitude that makes him so monstrous also gives Turtle the means to plot against him. Ultimately, though, this is Turtle’s story, and she is a remarkable teenage hero, heavily damaged but admirably persistent.
A powerful, well-turned story about abuse, its consequences, and what it takes to survive it.
Highly recommended...

Friday, January 5, 2018

A QUIET PLACE by Seisho Matsumoto
















5.5

Bitter Lemon Press
Published August 2016
Pages 224
JAPAN
JLC

Synopsis

 While on a business trip to Kobe, Tsuneo Asai receives the news that his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife--who was shy and withdrawn, and only left their house twice a week to go to haiku meetings--ended up dead in a small shop in a shady Tokyo neighborhood? When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife's death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life..


Highly recommended 😊